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The Ten Thousand Islands were born from the combination of minerals from the gulf stream and freshwater outflows from the Everglades, conditions that are perfect for oyster larvae. Oysters grow by attaching to the surface and do not move once attached. This is why they rely heavily on tidal flows to receive their nutrients. Food is brought in and waste is taken out. New larvae do best by attaching to an existing oyster shell that is firmly anchored. With that, oysters grow in number forming large colonies in shallow, tidal areas, such as Chokoloskee Bay, or mouths of creeks and rivers. With strong tidal currents, oyster flats become elongated and can make it difficult for a boat to pass through a narrow opening, especially at low tide.
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From oyster flats come mangroves, primarily red mangroves. Mangrove seedlings do very well in oyster beds and can eventually take them over, as evident from the thousands of mangrove islands in the gulf. And if you can find logic in the confusing maze of islands in this area, it is that these islands are formed entirely on the whim of tidal currents and storm surges. It is within these islands that I learned how to photograph from my canoe.
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The challenges are many. I do much of my photography from the canoe in two areas, Chokoloskee Bay and Biscayne Bay. While Biscayne Bay is soft and forgiving, Chokoloskee Bay is scratchy and irritating; my canoe has the ten thousand scratches to prove it. There is nothing more annoying than to hear the sound of a kevlar boat running across the sharp oyster shells. Like fingers across a chalkboard, only ten times worse. Unlike Biscayne Bay where I can lose attention to my surroundings and totally focus on a bird subject without caring for the well being of my boat, I must keep a keen eye on the waters of Chokoloskee Bay at all times. And with that, birds are often not as approachable as you would think. Hidden oyster beds serve as barriers as you attempt to float toward the birds that are feeding on an exposed bed. With the hard oyster shells all around, staking out is also very challenging and I often resort to sticking one foot out of the boat and into the shallow waters. But, it can be rewarding as birds take advantage of the exposed oyster beds that basically become a buffet table of marine edibles.
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The oyster flats of the bay are not attractive and look like out of control mud. But there is something beautiful about all of it, especially with the prop roots of the mangroves and the reflections of the green leaves. A white bird (ibises are common here) contrasts against the dark muddy appearance of its surroundings. Surroundings are half the photo. The challenge to me is to create an image that has bird appeal; outstretched wings, interactions between birds, capturing and eating prey, etc. But, because I am enamored with the bird's surroundings, I also attempt to frame the birds so that the oysters are appealing as well. Not everyone can be as enamored with the oyster flats of Chokoloskee Bay as I am, but enjoy them as scenes from the Everglades you don't often see.
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